| Nov 24, 2025 | Real-Time Infrasound Sonification for On-Site Active Volcano Monitoring, Presentation at the Annual Workshop 2025, IASPEI/IAVCEI Inter-Association Commission On Volcano Seismology & Acoustics. Volcano Seismology and Acoustics workshop |
| May 12, 2025 | EMS 12-25 May, 2025 Residency at Elektronmusikstudion EMS, Stockholm, Sweden. Elektronmusikstudion EMS. |
| Apr 18, 2025 | Faculty Artist Series Recital: Dr. Kramer Milan, percussion, and Dr. Ted Apel, electronics. Read more. |
| Feb 16, 2025 | Participant in the Speculative Sound Synthesis Workshop, 18 - 23 February 2025, Graz, Austria. Institute of Electronic Music and Acoustics, University of Music and Performing Arts Graz. Speculative Sound Synthesis Workshop. |
| Sep 26, 2024 | Negated Sound Analysis-Synthesis paper presented at the Speculative Sound Synthesis Symposium 2024 26 - 28 September 2024, Graz, Austria. Institute of Electronic Music and Acoustics, University of Music and Performing Arts Graz Performance of Sharing Speculative Relativity with Alberto de Campo and Bruno Gola. Speculative Sound Synthesis Symposium |
| Feb 03, 2024 | I will be a featured artist at the 2024 Ussachevsky Memorial Festival of Electroacoustic Music this February 2-4, 2024. I will present the sound installation “Trio for Organ Pipes”, a lecture, and performance with Anthony Burr. Ussachevsky Memorial Festival of Electroacoustic Music Apel featured at electroacoustic music festival |
| Jul 28, 2023 | My Article “Incidental Speakers” is published in eContact! 21.2 — Dematerialization of the Sounding Object: Conceptual approaches to sound-based artistic practices (July 2023). Montréal: Communauté électroacoustique canadienne / Canadian Electroacoustic Community. Incidental Speakers. |
| Jun 15, 2023 | The sound installation Conic Variations will be part of the Sound and Music Computing Conference at The Royal College of Music and The KTH Royal Institute of Technology in Stockholm, Sweden. SMC 2023 Performance of Sharing Speculative Relativity. |
| Sep 07, 2022 | My contribution to Soothsayer Serenades by curator Sharmila Wood. Expand Indefinitely. |
| Nov 01, 2021 | The Only Thing We Have to Fear, a sound installation at the Green Box, Surel’s Place, November-December 2021. The Only Thing We Have to Fear |
| Jun 28, 2021 | Portable Real-time Volcano Infrasound Auditory Display Devices, by Ted Apel and Jeffrey Johnson. Presented at the ICAD 2021, June 28, 2021. ICAD 2021. |
| Mar 07, 2020 | Teaching Generative Game Music Creation to Undergraduate Video Game Majors. Music Technology Pedagogy Summit, Westminster College, March 7, 2020. Teaching Generative Game Music Creation to Undergraduate Video Game Majors. |
| Mar 02, 2020 | Extraordinary Earth: How Nicaragua’s Masaya Volcano helps cool the planet, Infra-sonifier featured on Good Morning America. Extraordinary Earth: How Nicaragua’s Masaya Volcano helps cool the planet. |
| Dec 05, 2019 | The Seeing of Sound |
| Sep 10, 2019 | “Campus Sound Art Pushes Boundaries” by Connor Flynn in The Arbiter, September 10, 2019. Campus Sound Art Pushes Boundaries |
| Aug 26, 2019 | Concomitant Variations |
| Jul 31, 2019 | Review of False Iguana (with Anthony Burr) in Cassette Gods blog, July 2019. <a href=”http://cassettegods.blogspot.com/2019/07/ted-apel-anthony-burr-false-iguana-c35.html”>Cassette Gods</a> |
| Jan 05, 2019 | Review of False Iguana (with Anthony Burr) in Lost in a Sea of Sound, January 2019. <a href=”https://lostseasound.blogspot.com/2019/01/ted-apel-and-anthony-burr-false-iguana.html”>Lost in a Sea of Sound</a> |
| Sep 27, 2018 | Aotearoa Audio Arts |
| Aug 10, 2018 | Stiction, digital release of solo live electronic music, 2018. |
| Jun 22, 2018 | False Iguana, with Anthony Burr. Cassette and digital release on Muzan Editions, Japan, 2018. |
| Apr 13, 2018 | Apospory, digital release of solo live electronic music, 2018. |
| Apr 01, 2017 | Incidental Speakers, sound installation at the SEAMUS Conference, St. Cloud State University, Saint Cloud, Minnesota. April 2017. |
| May 20, 2016 | Cubic Response |
| May 01, 2016 | Units of Conveyance, solo exhibit at the Prichard Art Gallery, Moscow, Idaho. May 2016. |
| Jun 01, 2015 | Stable Transient Separation, a Max for Live audio effect, is available at maxforlive.com. Stable Transient Separation |
| May 08, 2015 | Findings, digital release of solo live electronic music, 2015. |
| Feb 17, 2015 | Herrett Center for Arts and Sciences |
| Sep 11, 2014 | The Auricle Sonic Arts Gallery |
| Sep 01, 2014 | In residence at the Douglas Lilburn Residence in Wellington, New Zealand for September and October 2014. Lilburn Residence |
| Jul 09, 2014 | Paper “Sinusoidality Analysis and Noise Synthesis in Phase Vocoder Based Time-Stretching” at the 2014 Australasian Computer Music Conference, Melbourne, Australia. ACMC 2014 |
| Mar 29, 2014 | Presentation of Response Characters at Arduino Day Wellington, School of Design, Victoria University of Wellington, New Zealand, 2014. |
| Mar 01, 2014 | Sonic Boom: Ted Apel and a New Generation of Artists Explore the Art of Sound |
| Feb 01, 2014 | Response Characters, installation at the Ussachevsky Electronic Music Festival, Claremont, California. February 2014. |
| Jan 15, 2014 | Selected for Artforum International Magazine’s Best of 2013 for the Call and Resonance installation. |
| Jan 01, 2014 | Venation Division on Transforms: The Nerve Events Project, Cuneiform Records, 1993. Transforms |
| Sep 15, 2013 | Aural Art: The sound, the fury, the tiny loudspeakers of Ted Apel |
| Sep 01, 2013 | Mirror Music Box, installation at Artspace at the Eagle Performing Arts Center, Eagle, Idaho. September–October 2013. |
| Sep 01, 2013 | Enso Artspace |
| Jun 01, 2013 | Selected as the 2013 winner of the FETA Prize in Sound Art for the work Call and Resonance. FETA Prize |
| May 01, 2013 | Composer Workshop at the New Zealand School of Music, Wellington, New Zealand, April 2013. |
| Mar 01, 2013 | Unfinished |
| Jun 15, 2012 | Guitar Layers Used on Tiger Flower Circle Sun – Remixes with Christopher Willits. Digital release, 2012. |
| Mar 17, 2012 | Washer Dryer at Sound Through Barriers, Fort Collins, Colorado, April 2012. |
| Oct 08, 2010 | Buran Control Room (with Amanda Hamilton) at Modern Art 2010, Boise, Idaho. |
| Jun 01, 2010 | Coilings, solo exhibit at the Prichard Art Gallery, Moscow, Idaho. June–August 2010. |
| Apr 22, 2010 | Potential Difference at LUMEN, Middlesex College, Edison, New Jersey, 2010. |
| Dec 01, 2009 | Artist in Residence, 8th Street Marketplace AiR program, Boise, Idaho. December 2009 – March 2010. |
| Jan 10, 2009 | Knob and Tube Variations |
| Nov 10, 2008 | Whiteout at the Walsh Library Gallery, Seton Hall University, New Jersey. November 10 – December 12, 2008. |
| Sep 12, 2008 | Trialogue at Merge Visual, Museum of Arts and Sciences, Macon, Georgia. September 12 – November 2, 2008. |
| Jan 01, 2008 | Immer Lichter, a remix of Radiohead’s Reckoner, 2008. |
| Sep 14, 2007 | Trochilics at Set in Motion, Yellowstone Art Museum, Billings, Montana, 2007. |
| Jun 15, 2007 | Potential Difference at Invisible.Other, New American Art Union, Portland, Oregon, April 2007. |
| Mar 01, 2007 | sound/matter, solo exhibit at the Southwestern College Art Gallery, Chula Vista, California. March 2007. |
| Dec 01, 2006 | sound/matter, solo exhibit at the Boise Art Museum, Boise, Idaho. December 2006 – February 2007. |
| Oct 07, 2005 | Shakers at the Boise Open Studios Collective Organization, Boise Art Museum, Boise, Idaho. |
| Mar 11, 2005 | Irresonance, installation at the Prichard Gallery, University of Idaho, Moscow, Idaho, 2005. |
| Dec 01, 2004 | Irresonance wins the grand prize at the Idaho Triennial, Boise Art Museum. December 2004 – March 2005. |
| Feb 01, 2004 | Trochilics, installation at the Cuesta College Fine Arts Gallery, San Luis Obispo, California. February 2004. |
| Feb 01, 2004 | Potential Difference at Consolidated Works, Seattle. February – April 2004. |
| Dec 01, 2003 | surface osculations on DVD Computer Music Journal: Sound and Video Anthology, Volume 27, Issue 4, MIT Press, 2003. |
| Jun 06, 2003 | Fireside Broadcast at Aether Fest #1, Festival of International Radio Art, Harwood Art Center, Albuquerque, New Mexico. June 6–27, 2003. |
| Apr 18, 2003 | Irresonance at Three Sound Works, CRCA, UC San Diego, California, 2003. |
| Oct 01, 2002 | Trochilics at SEARCH V, UCSD. October 2002. |
| Jun 01, 2002 | Corvus Brachyrhynchos Chimes permanently installed at the UCSD Stuart Collection. June 2002. |
| Feb 01, 2002 | Trochilics at the Ussachevsky Festival, Pomona College. February 2002. |
| Jan 01, 2002 | Trochilics at the CEAIT Electronic Music Festival, CalArts, Valencia, California, January 2002. |
| Sep 07, 2001 | Potential Difference on the CD Cyber Arts 2001: Digital Musics, Ars Electronica, 2001. |
| Sep 01, 2001 | Potential Difference exhibited at the Ars Electronica Festival, O.K. Center for Contemporary Art, Linz, Austria, September 2001. |
| Jul 01, 2001 | Rebecca Goldfarb Fellowship at the Djerassi Resident Artist Program, Woodside, California, July 2001. |
| Jan 01, 2001 | Potential Difference selected as a prizewinner in the Sound Installation category at the 28th Bourges International Electroacoustic Music Competition, France, 2001. |
| Jan 01, 2001 | Potential Difference receives an honorary mention in the Digital Musics category at the Prix Ars Electronica, Linz, Austria, 2001. |
| Aug 27, 2000 | surface osculations II at the Academy of Arts, Berlin. International Computer Music Conference, August 27 – September 1, 2000. |
| Jul 01, 2000 | Tethered and Lambent Planes at the Sound Symposium, St. John’s, Newfoundland. July 2000. |
| May 12, 2000 | Tethered and Lambent Planes, installation at Russell Space, UC San Diego, California, 2000. |
| Apr 16, 2000 | Wenke’s View at the Santa Fe International Festival of Electro-Acoustic Music. April 16–22, 2000. |
| Feb 11, 2000 | Potential Difference at the CEAIT Electronic Music Festival, CalArts, Valencia, California, 2000. |
| Jan 01, 2000 | a radial and dia lara released on Kiss Without Makeup by Franklin Bruno, Absolutely Kosher Records, 2000. |
| Mar 17, 1999 | The Dreaming Subject Itself, a sinusoidal sound art exhibition at San Francisco State University. March 17 – April 14, 1999. |
| Jan 01, 1999 | Contribution to Rolf Langebartels’ SOUNDBAG project, Berlin, 1999. SOUNDBAG |
| Jan 01, 1999 | Potential Difference at the Audio Art Festival, Goethe-Institut, Kraków, Poland, November 1999. |
| Jan 01, 1999 | surface osculations selected as a prizewinner in the Sound Installation category at the 26th Bourges International Electroacoustic Music Competition, France, 1999. |
| Nov 06, 1998 | Plainfield Fire, installation at the Bregman Electroacoustic Music Studio, Dartmouth College, Hanover, New Hampshire, 1998. |
| Sep 18, 1998 | surface osculations, installation at the Center for Research in Computing and the Arts, La Jolla, California, 1998. |
| Jun 12, 1998 | Lay Investiture, for computer-processed text by Chris Mann, on CD The Frog Peak Collaborations Project, Frog Peak Music, 1998. |
| Apr 25, 1997 | Portrait of Malleus at the EarArt Sound Media Exhibit, 1078 Gallery, Chico, California, 1997. |
| Jun 14, 1996 | Coupled Shifts, Steel Disk 2, and Thunderer at SoundCulture 96, WORKS/San Jose, California, 1996. |
| Feb 01, 1996 | Coupled Shifts, installation at the Ussachevsky Electronic Music Festival, Claremont, California. February 1996. |
| Sep 15, 1995 | Bosque, Mobile, Maricopa, Bon: Audio Works by Ted Apel. Independent CD release, 1995. |
| Mar 19, 1993 | Electromagnetic Steel Disk 2 at the SEAMUS Conference, University of Texas, Austin, Texas, 1993. |
| Feb 21, 1992 | Electromagnetic Steel Disk #1, live performance with Pauline Oliveros, New Music Festival, Dartmouth College, Hanover, New Hampshire, 1992. |
| May 15, 1990 | Fleming Fellowship for the Built Environment, Pomona College, 1990. |